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Aaronix: Bebe Cool’s “Break The Chain” album didn’t go past Nansana

Uganda’s music scene has long been shaped by a trio of legendary artists—Jose Chameleone, Bebe Cool, and Bobi Wine—whose influence stretches across decades.

From setting musical trends to redefining the role of artists in politics and society, the three have earned widespread recognition for their contributions to the industry.

However, not every rising talent views them through the same lens.

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Aaronix, a fast-emerging voice in Ugandan music, recently stirred conversation by speaking candidly about his thoughts on the country’s musical heavyweights.

In an interview with a local YouTuber, Aaronix expressed admiration for Chameleone and Bobi Wine, but notably excluded Bebe Cool from his list of inspirations.

“They are legends because of their contribution,” Aaronix acknowledged. “But it’s a different case with Bobi Wine and Chameleone. They stand apart from Bebe Cool and have accomplished careers.”

According to Aaronix, Chameleone stands out as a complete artist who has consistently delivered music that resonates with diverse audiences.

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Bobi Wine, on the other hand, has successfully transitioned from music to politics, now leading Uganda’s biggest opposition political party.

These accomplishments, Aaronix says, are worth emulating.

When it comes to Bebe Cool, Aaronix was less impressed.

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“Bebe Cool has nothing to copy from him because he hasn’t accomplished anything,” he stated bluntly during an interview with a local television station.

Aaronix didn’t stop at criticism. He also offered a challenge to the Gagamel boss, suggesting that with the financial means he possesses, Bebe Cool should prioritize investing in and mentoring young talent to ensure the growth and sustainability of Uganda’s music industry.

His remarks have sparked mixed reactions among fans and industry stakeholders—some see his boldness as a refreshing perspective from a rising star, while others feel he may have crossed a line by discrediting a pillar of the industry.

Regardless of one’s stance, Aaronix’s comments have reignited public debate on the legacies of Uganda’s musical giants and the responsibilities they carry in shaping the next generation.

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